The life of an anaesthesiologist is not as easy as it may seem, especially when confronted with 24 hour duties and surgeries of all kinds popping up unexpectedly, at any hour of the day. No matter how many years you spend in the medical field, it never gets easier. On the contrary, as one gets older, it gets harder to be at your best as the emergency calls come in.


At the start of this year, I had blogged about how I had added Ensure to my health regimen as part of my New Year resolution to improve my strength. I have been taking Ensure regularly for a little over three months now and am beginning to understand why health is not a short race but a steady long term journey.
Some of the changes are noticeable by their presence while others can only be experienced once you start having Ensure.

Visible changes -

• The physical fatigue is definitely down. I know because I have never been the fittest of the lot but now I can do six flights of stairs to reach my operation theatre at the hospital.
• More importantly, I am not mentally fatigued. My job demands that 100 % alertness even at 3 am in the morning, if the call come, as the patient's life depends on it.
• I am more active now. Whether it is helping out at home or driving 90 kms to watch the new Avengers movie or catching up with friends after work, I don’t say ‘I’m tired, maybe later’ anymore.

Ensure experience –

• Considering how physically draining the heat has been in Kerala this summer and how exhausted people far fitter than me were by the end of the day, I know for a fact that my core body strength and tolerance has improved.
• Similarly, summer brings with it a plethora of communicable ailments for our patients and invariably we tend to catch their sniffles and chest colds. But since I have been having Ensure I haven’t caught any of these ailments, even when surrounded by sick patients all around me.

I personally love the Vanilla flavour of Ensure.

Staying healthy is a lifelong trek. I cannot choose to gloat over small term victories and then allow myself to fall back into the old traps once more.


Whether it is maintaining a basic exercise regimen, eating healthy, taking healthy supplements like Ensure or attaining mental peace, I need to continue using all these aids in this trek to #EnsureAStronger2018.

The first time I watched Childish Gambino's "This is America", I honestly did not get what all the hype was about. The song seemed good (not great) and the video seemed average, shot on a low budget in some empty car park - warehouse place with some weird, almost choreatic dance steps and even some violence at times.

I did not get it. Then I read up about the song. And I watched the video again. And I got it.

I got why this video has 248 million views in just one month and why it is being hailed as a masterpiece and one of the most meticulously crafted music videos of this decade.



I want you to watch this video first before we continue. I know you will shrug and say, I'll read the article and then watch the video but seriously, humour me this one time. Trust me. It matters.


Seen the video? (I hope you did)
Do you agree with the assessment I made in the first paragraph of this article? Seems to be an okay video depicting gun violence in America, right? And yet, here I am, writing an article about this video instead of all the superb music videos we have seen by our favourite stars over the years.
So what gives?

Sit back and watch closely. You are about to witness the power of art.
Let us begin dissecting this video, shall we?



Invisible in a White Man's world 

As the video begins, we see an empty car park. There is actually a black man, Childish Gambino (the very same adorable Donald Glover we loved from the show 'Community') present but he is covered by the white beams, in a visual that is also principally white.

The song begins on a very pleasant note as a black man sits on the chair and plays the guitar.


As the singer walks up to him, you can see his 'dance moves' are arrhythmic and out of sync to the song in the background. We will get back to this.


The tone of the video changes dramatically as the singer stands behind the guitarist (now cuffed and with a bag over his head) and assumes a strange, awkward pose as he whips out a gun.
Two points jump out here.

• The guitarist had an identity and a face as long as he was entertaining people with his music. As a black victim of gun violence, he is now nobody special. Just another black man killed.
• That pose by the singer closely resembles 'Jim Crow'. Who, you ask? 

In the early 1800s, when African Americans were considered mere slaves, there was a classic illustration used to depict them. It was an image of a black man in an awkward pose who was portrayed as dumb, lazy and less than human. That character was called 'Jim Crow' and the term 'Jim Crow' would be used for generations to describe racial segregation laws in America.

• The first thing you see is a man come up to safely take away the gun used for the murder. 

This is a finger pointed at America as it is today in 2018, where in spite of the insanely high incidents of gun violence, efforts to curb easy access or even ban firearms are staunchly opposed by people quoting a 220 year old amendment allowing them the right to own firearms.

• It is no coincidence that the cloth used to protect the murder weapon is red, depicting the Republican party that is forever opposed to stringent gun laws.
• On the other hand, the victim gets dragged away like a sack of grain. There is more dignity given to the gun than the dead man.

The murder takes place right in the middle of your screen. And yet, our singer/killer is not going to be interrupted/chased by the police here. Do you know why? Believe it or not, it has to do with his pants and shoes.


No, really. Those unique buttoned pants and yellow shoes are a direct take on the dress worn by Confederate soldiers, who had a numbing history of brutality against African Americans.
That is why the police don't come (yet) chasing after him... he's not (representing) a black man here. He is the modern day equivalent of a white confederate who can get away with murdering a black man in broad daylight.


The CakeWalk

Those weird dance moves and facial expressions are not random either. Back in the time when African Americans were slaves, they used to mock the dignified mannerisms of the upper class white people by exaggerating their versions of dance.


Unaware that the blacks were mocking them, white slave owners mistook it as a traditional form of dance and even held slave dance competitions for this.
The winning prize would be a cake.


This dance is called 'the cake walk'. That is what you are watching Childish Gambino and the children perform in this video.


Tamir Rice

In the picture above, there is a child on top of a car in the background, shooting money out of a toy gun. In real life, in 2014, 12 year old Tamir Rice was shot dead by the police while he was playing with a toy gun in the park.

• Video footage showed the police waited four minutes before offering first aid. 
• Instead, they handcuffed and arrested his 14 year old sister who ran towards her dying brother.
•  In 2015, a court decided not to indict the police officers who shot the child with the toy playing in the park.

Charleston church massacre

The black choir church group offers a peaceful twist to the song and our 'white man' seems to be enjoying it. Until he's not.


Then he just kills them all. This shooting sequence is a direct callback to the 2015 Charleston church massacre where 21 year old white supremacist Dylann Storm Roof killed nine people in church, hoping to start a race war as he confessed later.

The gun used is an AK-47 which along with AR-15, is a statistically proven weapon of choice in mass shootings. And is still available over the counter in America, as though it were lozenges.



Don't worry. The gun is safely cared for and taken away in a plush red cloth while nobody comes to tend to the massacre victims.


Instead, note the people running in the background now, armed with sticks. The riots because of these racial hate crimes have begun.


NOW the police have come. And again, they are not targeting our singer/ killer. He walks calmly past the police car as the cops chase the black rioters.


The lyrics as he moves away from the crime are telling. As the children come back to dance with him, he sings 'Look what I'm whipping now' and the children do exactly that, following his dance steps.

You can see rioters and policemen running behind and even in front of them but with his song and dance, he has successfully distracted the youth from what matters. They are too busy dancing to his tunes to care about what is happening around them.


Watch carefully before the camera pans away and you can even see a young kid jump off the top in an apparent suicide. But nobody cares. Just another statistic.



The lyrics go - 'This is a celly, that's a tool.'

• Instead of engaging in what matters, the children are all lost with taking pictures on their cellphones and living in an alternate reality via social media. 
• The position - placing them enclosed up there - is their way of staying away from anything that matters in the real world.
• The cellphone could have been a tool for capturing evidence of crimes but instead it is used to distract the youth. Watch me dance.

We are well and truly in riot mode with cars on fire. But nobody cares. We are too distracted. Keep watching me dance.



Death on a Horse

"And I looked, and behold a pale horse:
and his name that sat on him was Death,
and Hell followed with him.
And power was given to them
over the fourth part of the earth,
to kill with sword, and with hunger,
and with death, and with the beasts of the earth."

Not my words. This is verse 6:8 in the Book of Revelation, the last book in the New Testament.
That is Death, indeed.

I love the subtle yet significant transformation between these next two pictures. Watch closely.


Mere milliseconds apart, in the first one, the children are all happy and dancing around him just as they were earlier, after he killed people with a real gun.

Yet now, when he pretends to make an imaginary gun with his fingers, they are all scared and run away. Why? Look closely.

You no longer see his pants. And without those distinctive Confederate symbols, Childish Gambino is nothing more than a black man all of a sudden. He is now someone to be scared of even when he has nothing in his hands.


Stoneman Douglas High School shooting

What follows next is 17 seconds of silence as the singer whips out a joint to smoke.
In Feb 2018, 17 people, including 14 children were shot dead in Stoneman Douglas High School, Florida by a 19 year old with an AR-15 assault rifle.
There are no coincidences in this video. 17 victims, 17 seconds of silence.



Dancing on top of the car

The scene with Childish Gambino dancing on top of the car actually has multiple interpretations. A curious link goes back decades to when another popular music icon (and someone Childish Gambino adores) did the same at the end of one of his music videos. Deemed violent, that dance routine was removed from the song when it aired on television.
The singer? Michael Jackson.
The song - Black or White (There are no coincidences...)

Why are the car models all so old? Is it a sign of the poverty of the black man? Is the scene meant to depict the white man trampling the black man's dreams? I honestly don't know.

This ending also calls back to Childish Gambino being able to get away with doing anything now that he is 'white again' (note his Confederate identity is visible once more).


Most of the car doors are open. This is a taunt at the rampant racism in the American police force, where black drivers are forced to pull over while driving by the police at a far higher rate than white folk.



The screen turns to black and then lights up again, briefly. His pants and shoes are indistinctive as he runs in the darkness. Without it, Childish Gambino is a black man once more in the real world. A world that does not appear as bright now.

He is running for his life, chased by police in riot gear, a crazed look in his eyes as he struggles to survive, his surroundings dark instead of the pristine white world that he showcased throughout the video.


It is the same bright car parking spot we watched throughout the video and yet, now it almost appears as though he is being chased through dark woods as he seeks to escape, much like the African American slaves from two centuries ago, does it not?

Think carefully. What crime did you see 'the black man' do? He smoked a joint.
He is being chased by the police for smoking a joint while 'the white man' sang and danced past the police after committing murder. The lyrics in the background as he runs?
"You just a Black man in this world , you just a barcode..."

***

'This is America' had the whole nation rewinding, pausing and jotting down points and then theorizing and debating at a level that would have made Inception nervous. Director Hiro Murai, a longtime collaborator of Childish Gambino, has a history of tackling civil rights issues head-on, aimed at forcing a dialogue about sensitive topics like racism and gun violence. Like with a wondrous painting, Childish Gambino's video requires multiple viewings to grasp the layers within layers depicted. You need to understand the nuances and symbols and then read up on history and current events.

To the eye which does not know, this is just an average music video. Armed with knowledge though, you see Childish Gambino's 'This is America' for what it is - the music video equivalent of one of the strongest political statements ever made by a musician in the 21st century.

There is only one thing left for me to do - ask you to watch the video again now.


And see it this time, knowing in your mind what each movement in the background and foreground truly stands for.